‘Tis the season when every station trots out horror programming, sometimes for weeks on end leading up to and including the big night.
#ROYAL OPERA HOUSE WIND IN THE WILLOWS TV#
So what separates the actual day of Halloween from our normal routine? TV viewing, of course. But for the fearful faithful, this is our workaday we watch the films daily, display our rooms with terror trinkets, and dress up as our favourite icons at constant conventions around the globe.
#ROYAL OPERA HOUSE WIND IN THE WILLOWS MOVIE#
They watch that scary movie they’ve been meaning to get to for the past year, string up skeletons, and parade around at office parties in the latest ironic costumes (expect tons of Trumps and Weiners this year). Halloween is a time when regular folk allow themselves to see the world as us horror lovers do – weird and wonderful, sinister mischief with tongue in cheek under (and over) tones. West End's The Wind In The Willows Musical Will Hit Cinemas & More “ The Little Drummer Girl”“ The Little Drummer Girl,” the BBC’s new John le Carre adaptation starring Florence Pugh, has brought casting director Jina Jay onboard and will shoot early next year. “ The Secret Garden” Jack Thorne’s new big screen adaptation of the beloved children’s book “ The Secret Garden” has just added their casting director, Karen Lindsay-Stewart.
The film is directed by Luis Mandoki, stars Toby Kebbell (“ War for The Planet of the Apes,” “Dead Man’s Shoes”) and is being cast by Celestia Fox. Toad”“Banking on Mr Toad,” the biopic of “ The Wind in the Willows” author Kenneth Grahame, has started pre-production. You never know where you’ll find an opportunity to land an audition! “Banking on Mr. The Wind in the Willows will follow the West End transfer of The Resistible Rise Of Arturo Ui starring Olivier Award winner Henry Goodman, following a run at the Chichester Festival Theatre in 2012.Greenlit means a project is officially a go, so all you have to do is follow these leads to stay up to date. The piece was inspired by the music of George Butterworth with a score created by the talented Martin Ward, with Willows having already played more than 100 performances since it was commissioned. The West End transfer will open up the production to even more audiences, and will be directed too by the choreographic brains behind the vision, Tuckett. Through its popularity the piece has been brought back into the repertory in Covent Garden three times since as a fantastic theatrical show for the whole family. Transforming the much-loved story into an exciting production is a great development, with the piece originally just a small-scale Christmas production, the first to be created for the then newly opened Linbury Studio Theatre a decade ago. Running for eight weeks, the classic story sees the outrageous and sometimes criminal adventures of the reckless Toad and his friends Ratty, Mole and Badger, told through dance, song, music and puppetry, set to delight audiences young and old. It is the first time that a ROH production has transferred commercially to London’s West End, and may be the instigator of many more! With so many shows coming and going from the heart of the capital’s Theatreland, it is great news that the piece based on the movement vocabulary of ballet is destined for other stages. Kenneth Grahame’s story of Toad of Toad Hall is the ROH’s first transfer, heading for the Duchess Theatre in December. Beginning its journey at the Royal Opera House, Will Tuckett’s adaptation of The Wind in the Willows is set to transfer to the West End for Christmas 2013.
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